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Queen Unseen
Queen Unseen was published in the UK on October 3rd 2011 by John Blake Publishing, and signed copies can still be ordered directly from the publisher. To order a signed copy for Ł17.99, please contact John Blake Publishing Ltd with your name, address and contact number on 020 7381 0666 (mon-fri) or e-mail words@blake.co.uk.
UK P&P is free - overseas P&P £ Ł3.00.

The book is also available (unsigned copies) from Amazon. Please click the 'Like' Icon - if you like my book. Thanks.

Amazon UK Website

My thanks and appreciation go to the many people who have supported and encouraged me in getting my memories published. And many thanks to the thousands of people who pre ordered the book - I hope you enjoy sharing my journey.......

US Publication was on November 15th.

Amazon.com Website

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NEWS:

2012: The hardback edition of Queen Unseen has been reprinted. Many thanks to everybody who has bought the book and contributed to it's success. A paperback edition is scheduled for August 2012 - more information to follow.

KINDLE: The book is available world-wide as a Kindle download in English from Amazon.

BRAZIL: The rights to Queen Unseen have been sold to the publisher Prumo Editora in Brazil. The book is planned to be published in March 2012 in Portugese. This does not mean the book will be available in Portugal.

ITALY: A rights deal has been signed the Italian publisher Arcana Edizioni srl of Rome. The Italian version of the book will be published in late March 2012.

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POLAND: A rights deal has been signed with Polish Publisher Sine Qua Non of Krakow. The book is now published in hard and soft back editions in Poland

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There are other negotiations for the book to be published in various territories/languages - I will keep you updated.

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It has taken time to find the right publisher and I feel confident you will appreciate it has been worth it.
This is not an easy-option tabloid expose or simply re hashed information from the public domain.

Queen Unseen is a unique account of the many exciting years as a young man I spent on tour, in the recording studio, on video shoots and day to day life at home with one of the world's biggest and best ever rock bands. It is an insightful, enlightening and mostly humorous account for anybody who has ever wondered what working for Queen, or indeed most rock bands of that era really entailed..... the highs and the lows. It is not a chronological history or definitive biography of the band, but a personal story of what it was like to spend your youth travelling the world and living the rock and roll lifestyle - to the full!

There are NO lurid details of the band's private lives. There is plenty of sex and drugs and rock and roll - and of course everybody knows it happened.... I make observations and comments about all the fantastic places we visited and played, and what it was like living, at times, a crazy and surreal existence.
The book covers all the areas that were relevant in Queen’s working life, during my time as Queen’s longest serving roadie and head of their crew. There is lots of new material and surprises for Queen fans and it is a book to interest anybody who likes stories of rock and roll life in the 1970s & 1980s.
There are photo sections in the book that contain colour and black & white images from my successful Queen The Unseen Archive show that was exhibited in London and Australia recently. There are also additional rare and unseen photos and other images of memorabilia.

In the future there are plans for a large illustrated picture book, which will be crammed with my unique photos, memorabilia and Queen related images and information, that reflect the story of Queen Unseen.
Here are a couple of updated extracts from Queen Unseen and some new ones:

I'm sure many of you have heard the story that Freddie wrote Crazy Little Thing Called Love in the bath. There
have been various versions of this tale by people who claim to know the story or to have been there at the time. Like many other Queen stories/myths, most are untrue or exaggerated for effect, or by people who would have liked to have been there. Here is the real 'Crazy' story - I was there!




During the summer of 1979 Queen
were finishing a 'Year Out' to avoid the wicked tax man of the Labour government by doing some recording of new ideas in Munich.
A couple of weeks or so into these Munich sessions, I briefly went back to London to clear through customs the balance of the gear that had arrived back by sea from Japan. Having finished my professional duties I was keen to return. Then I received a phone call.

"Ratty?" the chirpy office voice sounded a bit too friendly.
"Yes......"
"There's something else for you to take back to Munich."
"What a surprise - what is it? - is it heavy? and will I have to get it through customs?"
"It's Freddie."


Fred, who was also in London for a few days, had nobody to accompany him back to Munich. Would I mind? Fred never travelled alone; there was always somebody with him and always somebody in the next hotel room. Somebody to talk to - to protect him? Well, a first-class seat on British Airways was not too shabby, so I agreed.

Realistically, I had no choice. Unfortunately, a problem arose due to an industrial strike at Heathrow, and all flights were severely delayed. Anxiety was in the air as Fred had used up his allotted days allowed in the UK and needed to leave. Immediately. I dutifully made my way to Heathrow, and hung around the British
Airways desk in Terminal One until I got positive news. When I did get a go ahead for our flight to Munich, Fred was immediately phoned and sped down the M4 from Kensington to join me. It was a sunny summer's day in both London and Munich and a few glasses of in-flight bubbly were well received. At Munich airport we were met by Peter,
a local guy who was currently Fred's driver in a hired Mercedes. We cruised with smiles on our faces into the east of the city and our Hilton home. Fred was reinstalled in his grand suite and wanted to take a bath before going to the studio. I called Musicland and announced that 'his self' was back and would shortly be arriving.
Fred was humming and tapping in the bath and shouting out the names of chords:
"D - yes, and C and G - Ratty quick - come here!"
"Uhh - you want me to come into your bathroom Fred? I'm not
sure about this."
"No, no! Get me a guitar! Now!"


He emerged from the bathroom wrapped in towels, still dripping, and scurried into the living room of the suite where I gave him the battered acoustic that had been installed for these creative impulsive moments. Fred strummed away for a short time with his fingers - he never used a pick or plectrum, even on stage.


Seizing the urgency of the moment, he insisted we make a dash to Musicland where a halt was called to whatever work was in progress. He summoned the band into the studio and enthused about this new idea, which they started to work on and record immediately. The song was Crazy Little
Thing Called Love, one of Queen's most successful world-wide singles.
It was a privilege to have been there with him, but no matter how long I knew Fred, got to be accepted, trusted and cared for by him, you could rarely totally relax around him. Over a period of almost twenty years we enjoyed many great social times together but there was always an edge to it.

Simply - Fred had an aura. It was always there, whether he was on stage in front of 130,00 people or picking his teeth at the breakfast table and moaning about his hangover. When he walked into a room - any room, you knew you were in the presence of somebody special. Somebody unique. Magical.

Another Queen 'myth' is the yarn about when Fred met Sid Vicious. Here's the real one - from somebody who was there...........

Wessex studios, a converted church in Highbury, north London, is where in autumn 1976 during recording of A Day At The Races, Queen first witnessed Punk. The Sex Pistols, freshly signed by E.M.I, were also booked into Wessex and doing some early sessions (Probably Anarchy In The UK?) when nobody really knew
who they were. Soon the world knew about the Sex Pistols, when E.M.I replaced them for Queen (who couldn’t make it...?) on The Today TV Programme and their infamous interview with Bill Grundy was to
become a seminal moment in The Pistols' short but explosive career.



Johnny Rotten was sitting in the lounge area on a brown corduroy seating unit, wearing a lime green, mohair jumper and ripped jeans. Safety pins were inserted in every available space and his hair was dyed a ginger hamster colour, spiked and lacquered. Despite this, he seemed a quiet, pleasant sort of bloke - he didn't snarl at me when I asked if I could change the TV channel, just shrugged and nodded. What was all this fuss about these guys?
One afternoon when Queen were working in the control room, Sid Vicious stumbled in, the worse for wear, and addressed Fred:
"Have you succeeded in bringing ballet to the masses yet?" (A reference to a quote Fred had made in the music press.)
Fred casually got up, walked over to him and quipped: "Aren't you Stanley Ferocious or something?", took him by the collar and threw him out. So much for the mean edge of punk.

Mr Mercury did not care for this new, limited chord, musical movement - and even less for it's wardrobe......


Queen parties were infamous and one story stands alone about the alleged debauchery - that at one party in New Orleans there were dwarves circulating amongst the guests with bowls of cocaine strapped to their heads for
the revellers to dip in to. As I recently stated on the BBC Queen - Days Of Our Lives documentary - it's complete Bollocks ! It has no doubt been circulated to add spice to the Queen legend. Even Brian and Roger have stated they never saw these alleged small people with what is an illegal class A narcotic......


Allegedly the dwarf had straws in his top pocket in order for people to take the drug. Once again - bollocks !
Anybody who may have any experience in the imbibing of this particular recreational pastime would know that if
cocaine was in a bowl, you would not use a straw......
As Roger and others have accurately said on record, there was a dwarf at the 1978 Jazz party in New Orleans, who was lying underneath the piles of cold cuts and sliced meat - and quivered when people approached the table. That's it ! This 'Dwarf' myth may have been expanded by another far less known 'Dwarf' story. During a run of shows at Madison Square Garden in New York, the backstage after show entertainment included female mud wrestling. Fred said if that was the case then he wanted dwarves with moustaches wearing leather shorts to serve the drinks.... in New York - anything goes !


Everybody loved Japan - and Fred in particular adored it. Queen were idolised there in the 1970s and it really was akin to Beatlemania. The shows were on a totally different schedule to what we were used to, and had no support act and started at 6 PM sharp. We also did matinees at 2 PM at some venues too ! Working a double shift. Japanese audiences were wildly enthusiastic, yet remarkably respectful. No steel barriers or heavy security were needed, just a rope or tape strung across evenly placed posts. Like a queue in the post office. Very civilised.
The honourable Japanese and their custom of bowing was taken to task by the dishonourable crew, when prior to a show in Tokyo's famous Budokan arena, a group of us walked onto the stage, stood in a line and all bowed to the audience. The first few rows, having seen us, would stand up and bow back. We repeated our courteous gesture, getting more and more people to respond until the crowd caught on to what was happening, laughed, hid their faces behind their hands and applauded.

It is said that night we went down better than the band...........


© Peter Hince, 2011

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From time to time I sell my 'Royal Robes' signed limited edition print of Freddie on ebay. It is listed as:

Freddie Mercury Queen Print Ltd edition BEST PROVENANCE

Unique image of Queen's legendary singer Freddie Mercury. Best Possible Provenance. A2 size poster print on matt art card ( 595x420mm - 23 1/2 x 16 1/2inches) signed and numbered limited edition. Originally a limited edition of 1200, but due to loss and damage I estimate only approx 400 exist world wide. This image of Freddie was done spontaneously one evening in 1987 in Peter's studio after a phone call from Freddie, who wanted to do a fun photo. It is the only posed photograph of Freddie wearing his Royal Robes available to buy.
Copyright of this image belongs to Peter Hince ©

My 'Royal Robes' photo of Fred has been used many times :








Some of my Photos that were used for Queen covers etc:













While working for Queen I took many professional quality photos of life on the road, the band at work in the studio, on video shoots and taking time out. Many of these were used by Queen for album & singles covers, posters, fan club mags, books, tour programmes, PR and a variety of other media usage. After leaving Queen I made a new career as an advertising photographer. Things went well and I still make my living from photography. Here are some of the photos from my large personal Queen archive.

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Freddie in Mountain Studios, Montreux, 1981
Freddie in Musicland
Roger in Musicland

Radio Ga Ga video shoot, 1984
Spread Your Wings video shoot, 1977
Queen and Mack

Billboard in Los Angeles, 1980
The crown in Houston, 1977
Brian in the studio. Musicland, 1981

Edwin Shirley trucks. Rotterdam, December 1980. Loading containers for Japan
Play The Game video shoot, 1980
I Want To Break Free video shoot, 1984
The only colour photo (Polaroid) from this 'Royal Robes' shoot in existence: Peter's studio, 1987

Polaroid from the 'snooker player' shoot, 1986
The Great Pretender, 1987
Freddie in Madrid, 1986
John relaxing in Musicland

A rare live shot from a remotely triggered
camera set up on the lighting rig above.
Seibu Lions Stadium, Japan. 1982
Play The Game video shoot, 1980
'Tie Your Mother Down' video shoot. Miami, 1977
Brian's guitar and amp.
Musicland, 1981

Here are a few snaps of me through the years.


Inspecting John's bass. USA, 1977.
News Of The World tour.

Outside the Budokan, Tokyo with Jim Devenney, 1981

With Freddie and John during a band & crew photo shoot in Japan, 1979

Stage side - in the wings, keeping a careful
eye on 'The Master'. Magic Tour, 1986.

With Brian at the AC30s
Game Tour USA 1980 - Oakland Coliseum


Buenos Aires - with John after Queen's first momentous show in South America. 1981


© Peter Hince 2011This section is in the process of being updated



Backstage passes came into existence around the time ‘roadies’ became Road Crew, and an element of professionalism that touring in America brought, crossed the Atlantic.
In the old days having long hair, a scruffy appearance and saying “I’m with the band” was enough to gain access to all areas.

But security tightened and a plastic lapel ‘conference’ badge with sticky dymo label strips - in two colours - was the cool accessory to wear and impress.

Shortly, the stick on pass, followed by the laminate became the secure way to keep unwanted people out of the areas they should not have access to.

Various methods of increasing and tightening security were to have your name or your photo - even both on passes assigned to touring personnel. For a short time in the 1970’s Queen touring staff had a number assigned to them which would be on your pass, luggage tags and hotel room list.





© Peter Hince 2011This section is in the process of being updated



Over the years various forms of Queen clothing was produced. Apart from the official and unofficial merchandise at concerts; jackets, T shirts, sweatshirts etc were made solely for the band and crew by the tour manager, record company, promoter, transport companies, merchandiser etc.

There are fakes around and some items that the fan club produced and sold are being passed off on ebay as official crew clothing. Generally a tour jacket would have the person's name embroidered on it and a reference to what tour, year, continent etc. In the US local promoters would sometimes produce a one off T shirt just for a particular show. Very nice items. I had many, but over the years they were stolen, lost, mislaid or given away to 'special friends' I met on the road.

Some are shown here:

During the encore of We Will Rock You/We Are The Champions at Madison Square Garden on December 2nd 1977 Fred took to the stage wearing this NY Yankees baseball jacket and cap. He used his wand' mic stand as a bat......

The NY Yankees had recently won the World Series and this was a piece of theatre and showmanship by Fred. The entire audience at The Garden loved it and the place shook with the response.
The following spring during rehearsals for the European Tour I noticed the jacket hanging in a wardrobe case and said how much I liked it. Fred then gave it to me along with the cap. I wore the jacket for many years on Queen tours, in the studio and for everyday use. I lost the cap in 1995.
These paper jackets were promotional items given to the band in 1976 for the 'Day At The Races' album. Fred was not amused........ Citing that they had just had a record breaking number 1 album and single world wide with NATO/Bohemian Rhapsody and they were being given something made of PAPER!!

He refused to wear it or even own it - so gave it to me! I dont think I have ever worn it either.


Here is a selection of some of my tour jackets...



...and T-shirts.






© Peter Hince 2011This section is in the process of being updated


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First off the line test pressing of 'We Will Rock You' from the world-famous Abbey Road studios. 1977.

I am certainly no authority on Queen records (though I do have a blue ‘Bo Rhap’ from the limited edition of 200 - No 195 - courtesy of Fred) but items connected directly to touring, such as itineraries, jackets, T shirts, passes etc, I have a very good memory for. As well as a unique recollection of other items that passed through.....
As to avoiding fake Queen items; I would always suggest that you always ask for provenance from the seller. Who are they? How did they get it - and from who? If it’s from the 1970s or '80s - it’s realtively old, and should smell, look and feel old. If something is offered for sale with a COA (Certificate of authenticity) beware! Provenance is what is needed - not something that can be printed out randomly on a computer. If the item is rare and/or expensive then by all means ask for a letter from the seller listing provenance.

As to autographs - I have seen the signatures of all of Queen on countless occasions, but all I have is a ‘feel’ for whether an autograph is genuine. I am certainly no expert. The only Queen signatures I was ever interested in were any 2 from 4 on a Queen Productions cheque !! I don’t even have a set of their autographs........
Would you ask your boss for his ?

However my Mum has a set of Queen autographs - on the cover of a copy of A Night At The Opera - which the band signed for her at Birmigham Odeon on the 1975 UK tour.

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Mott The Hoople and Queen
'WANTED' flyer, 1973
Tambourine from 1975 UK NATO tour. I used some odd roll of red gaffa tape to secure the foam pad to protect Fred’s leg. After that tour black gaffa was always used on Fred’s tambourines. This is probably the only tambourine from that period in existence.
Fred using the red-taped tambourine. 1975

A Night At The Opera which the band signed for my mum backstage.
Birmingham, 1975
Hyde Park - presented to me (and all the crew) by John Reid’s management for the Hyde Park free concert September 1976.
Bonus envelope given to all members of the entourage when the Budokan in Tokyo sold out. Japan 1976. Contents were about ÂŁ2.00.

Itinerary for the US NOTW tour, 1977
Itinerary for A Day At The Races tour.
Europe, 1977
Itinerary for the US DATR tour, 1977

Itinerary for US Jazz tour, 1978
A pair of maraccas - used by Fred on stage during Live Killers tour. Later by Queen in the studio in Munich and almost certainly on 'Dragon Attack'.
Queen tour matches, 1980
T.R.T. Transport Services, who
supplied the private plane for the tour.

Elektra Under Pressure lighter, 1981
Promotional item made by Elektra records in USA. Extremely rare and very sought after.
A 'Thank You' presented to me for
Live Aid, 1985
Fred's personal Christmas card 1984.

The printed message inside reads:
"Wishing you a Merry Christmas and a Happy
New year from the Preening,Pouting,
Posing, Posturing old tart".

The inscription to me is
"Dear Ratty - Lots of Love - Freddie .

Ticket for Budapest, 1986
Fred's Concorde luggage tag

The chair used by Fred for the "Snooker Player" photo shoot.
Later used as the cover for the 'Freddie Mercury Collection' album.
Tuning fork used for instrument tuning on Queen tours.
Magic tour itinerary, 1986

One of Roger's drumsticks and drum tuning key.

© Peter Hince 2011